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Takashi Murakami. Artwork © 2024 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved. Photo: Shin Suzuki

In Conversation

Brooklyn Talks
Takashi Murakami and Joan Cummins

Monday, April 29, 2024, 7–9pm
Brooklyn Museum, New York
www.brooklynmuseum.org

In conjunction with the exhibition Hiroshige’s 100 Famous Views of Edo (feat. Takashi Murakami) at the Brooklyn Museum, Murakami and curator Joan Cummins will discuss the artist’s new series of fantastical paintings that respond to Utagawa Hiroshige’s 100 Famous Views of Edo (1856–58), now on view at the museum for the first time in twenty-four years. Cummins and Murakami will also reflect on Hiroshige’s contributions to global art history and his role as a witness to and chronicler of environmental and social change.

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Takashi Murakami. Artwork © 2024 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved. Photo: Shin Suzuki

Rick Lowe (New York: Gagosian, 2023)

In Conversation

Rick Lowe
Dieter Roelstraete

Tuesday, April 30, 2024, 6pm
Seminary Co-op Bookstore, Chicago
www.semcoop.com

Rick Lowe and Dieter Roelstraete, curator of the Neubauer Collegium for Culture and Society at the University of Chicago, will be in conversation at the Seminary Co-op Bookstore in Chicago, in partnership with the Neubauer CollegiumThe pair will discuss the artist’s recent monograph—the first to present a comprehensive, career-spanning account of Lowe’s art and social practice. Copublished by Gagosian and the Neubauer Collegium, the book was coedited by Roelstraete and also features an essay by the curator. The event is free to attend and will include a question-and-answer session.

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Rick Lowe (New York: Gagosian, 2023)

Nan Goldin, Self-portrait with eyes turned inward, Boston, 1989 © Nan Goldin

Shop Takeover

Nan Goldin

May 14–June 22, 2024
Gagosian Shop, London

Nan Goldin is taking over the Gagosian Shop in London’s Burlington Arcade, offering visitors an opportunity to explore her practice in depth. The basement floor will be transformed into a reading room of books chosen by Goldin, with publications on artists such as Louise Bourgeois, Larry Clark, Andy Warhol, and David Wojnarowicz, and fiction, essays, and memoirs by writers including Toni Morrison, Darryl Pinckney, Lucy Sante, and Sarah Schulman. A wide selection of publications on Goldin are available on the ground floor, including both new and out-of-print exhibition catalogues, monographs, and artist’s books. Also on display are in-progress layouts from Heartbeat, a forthcoming nine-volume catalogue raisonné of Goldin’s photographs published by Steidl. Over the course of the takeover, different pages from this comprehensive publication project will be displayed, revealing Goldin’s notes and markups over the course of its development.

The Shop takeover accompanies an exhibition of Goldin’s early works in the gallery upstairs and Nan Goldin: Sisters, Saints, Sibyls, the second presentation in the Gagosian Open series of off-site exhibitions, on view at 83 Charing Cross Road from May 30 to June 23, 2024.

Nan Goldin, Self-portrait with eyes turned inward, Boston, 1989 © Nan Goldin

Sarah Sze, Shorter Than the Day, 2020, installation view, LaGuardia Airport, New York © Sarah Sze. Photo: Nicholas Knight

In Conversation

Public Art Fund Talks
Sarah Sze and Teju Cole

Thursday, April 25, 2024, 6:30–7:30pm
Cooper Union School of Art, New York
cooper.edu

Sarah Sze will be in conversation with writer Teju Cole as part of Public Art Fund Talks, a series organized in collaboration with the Cooper Union to connect contemporary artists to a broad public. The pair will discuss Sze’s ambitious site-specific sculpture Shorter Than the Day (2020), permanently installed at LaGuardia Airport, New York. Commissioned in a partnership between Public Art Fund and LaGuardia Gateway Partners, Sze’s work evokes the passage of time through an intricate constellation of photographs of the sky above New York City taken over the course of one day. Sze and Cole will also explore how both of their respective artistic practices capture nonlinear experiences of time and the urban environment. The event is free to attend.

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Sarah Sze, Shorter Than the Day, 2020, installation view, LaGuardia Airport, New York © Sarah Sze. Photo: Nicholas Knight

Ed Ruscha, UPS DOWNS, 2023 © Ed Ruscha. Photo: Brica Wilcox

Support

Art for a Safe and Healthy California
Presented by Jane Fonda, Gagosian, and Christie’s

Art for a Safe and Healthy California is a benefit exhibition and auction presented by Jane Fonda, Gagosian, and Christie’s to support Campaign for a Safe and Healthy California. Artworks donated by artists including Charles Gaines, Frank Gehry, Alex Israel, Nathaniel Mary Quinn, Catherine Opie, Christina Quarles, Ed Ruscha, Jonas Wood, among others, will be sold to help the coalition of voters campaigning to stop oil companies attempting to repeal Governor Gavin Newsom’s SB1137 on the November ballot. The bill provides safe setbacks from oil wells for homes, parks, schools, and playgrounds, as well as requirements to make already pumping wells safer.

The benefit launches on April 9 with a ticketed fundraiser in Beverly Hills hosted by Jane Fonda, Larry Gagosian, Aileen Getty, and Susan and Mark Buell, with cohosts Edythe Broad, Frank Gehry, Wendy and Eric Schmidt, Chrissy Teigen and John Legend, and Sean Penn. Highlighted artworks will be on view. A selection of works will be auctioned in the Christie’s Post-War and Contemporary Art Day Sale during their marquee sale week in May, while another group of works will be presented for sale in an exhibition in summer 2024 at the Beverly Hills gallery.

Ed Ruscha, UPS DOWNS, 2023 © Ed Ruscha. Photo: Brica Wilcox

Setsuko: Into Nature (New York: Gagosian, 2024)

Book Signing

Setsuko
Into Nature

Thursday, April 25, 2024, 6–8pm
Gagosian, rue de Ponthieu, Paris

To celebrate the publication of her new book, Into NatureSetsuko will sign copies at Gagosian, Paris, among a special installation of her works. Into Nature commemorates Setsuko’s recent exhibition of the same name at Gagosian, Gstaad, featuring ceramic and bronze sculptures, paintings, and works on paper. In addition to plates, exhibition views, and archival photography, the publication features a foreword by the artist and a text by novelist and poet Shan Sa, who was formerly an assistant to Setsuko. Published by Gagosian, the book will be available for purchase at the event, which is free to attend.

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Setsuko: Into Nature (New York: Gagosian, 2024)

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Announcements

Still from Exhibiting Forgiveness (2023), directed by Titus Kaphar

Announcement

Exhibiting Forgiveness
Acquired by Roadside Attractions

Exhibiting Forgiveness (2023), a film written, directed, and produced by Titus Kaphar, which premiered in January 2024 at the Sundance Film Festival, has been acquired by the film distribution company Roadside Attractions. Exploring family, generational healing, and the power of forgiveness, the motion picture follows a Black artist (André Holland) attempting to overcome the trauma of his past through painting; he is on the path to success when he is derailed by an unexpected visit from his estranged father. The film will open in theaters nationwide in Fall 2024.

Still from Exhibiting Forgiveness (2023), directed by Titus Kaphar

Ed Ruscha, Actual Size, 2024 © Ed Ruscha

Support

Ed Ruscha × Avant Arte
Limited-Edition Print for LACMA

Ed Ruscha has partnered with Avant Arte, an online art marketplace, to create a limited-edition print of his painting Actual Size (1962) on the occasion of ED RUSCHA / NOW THEN, a major retrospective of his work at the Los Angeles County Museum of Art. A portion of proceeds from sales will benefit the museum’s future. The print will be available for purchase online at Avant Arte for forty-eight hours beginning at 1pm ET on Thursday, April 11, 2024. The edition size will be determined by the number of orders placed within the timed-release period. Each print is individually numbered and authenticated with a bespoke artist’s stamp.

Ed Ruscha, Actual Size, 2024 © Ed Ruscha

Neil Jenney with a portrait of himself by Joseph McNamara at Gagosian, 980 Madison Avenue, New York, 2013. Artwork © Joseph McNamara. Photo: Robert Wright/The New York Times/Redux

Honor

Neil Jenney
Tribeca Ball 2024

Neil Jenney is the honoree of the Tribeca Ball 2024, taking place on April 1 in New York. During the annual gala, the five floors of the New York Academy of Art are open for guests to explore while students offer a firsthand look at their creative processes. Proceeds from the event support the nonprofit school, which was founded by artists in 1982, and its mission to empower a new generation of artists, and will be used to establish the Neil Jenney Artist Scholarship Fund.

Neil Jenney with a portrait of himself by Joseph McNamara at Gagosian, 980 Madison Avenue, New York, 2013. Artwork © Joseph McNamara. Photo: Robert Wright/The New York Times/Redux

Giuseppe Penone, Project for Royal Djurgaden, 2022 © Giuseppe Penone/2024 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: © Archivio Penone

Honor

Giuseppe Penone
Årets Konstnär 2024

Giuseppe Penone has been named 2024’s Artist of the Year by Prinsessan Estelles Kulturstiftelse (preks), a foundation established in 2019 by Sweden’s Crown Princess Victoria and Prince Daniel and named for their daughter, Princess Estelle, with the mission of promoting cultural activities in the country. Every year, the chosen artist is invited to create a monumental, site-specific work to be permanently installed within Prinsessan Estelles Skulpturpark, a sculpture park at Royal Djurgården in Stockholm. Penone’s sculpture, The Inner Flow of Life (2022), will be unveiled on May 30, 2024.

Giuseppe Penone, Project for Royal Djurgaden, 2022 © Giuseppe Penone/2024 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: © Archivio Penone

James Turrell, Leading, 2023 © James Turrell. Photo: John Galayda

Permanent Installation

James Turrell
Leading

James Turrell’s Leading (2023) has been permanently installed at Friends Seminary, a Quaker school in Manhattan, New York. On the school’s sixth floor, the artist created a meeting room whose roof opens to the sky and bathes the space in a spectrum of shifting radiant color, while the sky appears to float inside the installation. Leading is the only one of more than eighty-five Skyspaces by Turrell around the world attached to an active K-12 school. The installation is open to the public on the last Friday of each month that Friends Seminary is in session.

Schedule Visit

James Turrell, Leading, 2023 © James Turrell. Photo: John Galayda

Still from “West to East: Mapping the Unknown: Rick Lowe”

Video

West to East
Mapping the Unknown: Rick Lowe

In episode two of the National Gallery of Art’s video series West to East, which launched in spring 2023, Rick Lowe guides the viewer through his home in the Third Ward neighborhood of Houston. West to East focuses on contemporary artists whose works actively explore connections to their distinct communities and the United States at large, looking in particular at those working outside well-known “art hubs.” Lowe has spent thirty years combining art and activism via his community platform, Project Row Houses, and more recently he has been creating paintings inspired by maps and dominoes, in a quest for aesthetic beauty. Lowe and his community partners work together to “map the unknown” future.

Still from “West to East: Mapping the Unknown: Rick Lowe”

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Museum Exhibitions

Installation view, ICP at 50: From the Collection, 1845–2019, International Center of Photography, New York, January 24–May 6, 2024. Artwork, left to right: © Nan Goldin, © Zanele Muholi, © Deana Lawson. Photo: Jeenah Moon, courtesy International Center of Photography

Closing this Week

ICP at 50
From the Collection, 1845–2019

Through May 6, 2024
International Center of Photography, New York
www.icp.org

ICP at 50 is a thematic exploration of the many processes that comprise the history of the photographic medium, drawn from the International Center of Photography’s holdings. The institution was established in 1974 and the exhibition offers insight into the breadth and depth of its collection which spans from the nineteenth century to the present day. Work by Richard Avedon, Nan Goldin, Deana Lawson, and Andy Warhol is included.

Installation view, ICP at 50: From the Collection, 1845–2019, International Center of Photography, New York, January 24–May 6, 2024. Artwork, left to right: © Nan Goldin, © Zanele Muholi, © Deana Lawson. Photo: Jeenah Moon, courtesy International Center of Photography

Installation view, When Forms Come Alive, Hayward Gallery, London, February 7–May 6, 2024. Artwork, left to right: © Nairy Baghramian; © Archiv Franz West, © Estate Franz West. Photo: Jo Underhill, courtesy Hayward Gallery

Closing this Week

Franz West in
When Forms Come Alive

Through May 6, 2024
Hayward Gallery, London
www.southbankcentre.co.uk

Spanning over sixty years of contemporary sculpture, When Forms Come Alive highlights ways in which artists draw on familiar experiences of movement, flux, and organic growth. Inspired by sources ranging from a dancer’s gesture to the breaking of a wave, from a flow of molten metal to the interlacing of a spider’s web, the works by twenty-one international artists conjure fluid and shifting realms of experience. Work by Franz West is included.

Installation view, When Forms Come Alive, Hayward Gallery, London, February 7–May 6, 2024. Artwork, left to right: © Nairy Baghramian; © Archiv Franz West, © Estate Franz West. Photo: Jo Underhill, courtesy Hayward Gallery

Georg Baselitz, Donna Via Venezia, 2004–06 © Georg Baselitz 2024. Photo: Jochen Littkemann

Just Opened

Georg Baselitz
Belle Haleine

Through November 24, 2024
Galleria degli Antichi, Sabbioneta, Italy
www.visitsabbioneta.it

Georg Baselitz: Belle Haleine features large-scale sculptures, paintings, and ten monumental linocuts by Baselitz installed along the Renaissance arches and under the frescoed ceilings of the Galleria degli Antichi in the UNESCO World Heritage site of Sabbioneta, Italy. In exhibiting his work within this setting, Baselitz aims to reveal the importance of Italian art history to his own artistic development, creating a confrontation between the contemporary and the past.

Georg Baselitz, Donna Via Venezia, 2004–06 © Georg Baselitz 2024. Photo: Jochen Littkemann

Jadé Fadojutimi, This last leaf just seems to refuse to rest upon the lake, 2022 © Jadé Fadojutimi. Photo: Michael Brzezinski

Just Opened

Jadé Fadojutimi in
Abstraction (re)creation—20 under 40

Through September 8, 2024
Le Consortium, Dijon, France
www.leconsortium.fr

Through the work of twenty artists under the age of forty, this exhibition explores the question, Will abstraction in painting reveal a new way to face art and provide a better way to address issues that are far away from subjects, storytelling, and other figurative topics? Work by Jadé Fadojutimi is included.

Jadé Fadojutimi, This last leaf just seems to refuse to rest upon the lake, 2022 © Jadé Fadojutimi. Photo: Michael Brzezinski

Taryn Simon, Finance package for the construction of the Baku-Tbilisi-Ceyhan pipeline, Baku, Azerbaijan, February 3, 2004, from the series Paperwork and the Will of Capital, 2015 © Taryn Simon

Just Opened

Humain Autonome
Déroutes

Through September 22, 2024
Musée d’art contemporain du Val-de-Marne,Vitry-sur-Seine, France
www.macval.fr

This exhibition focuses on the automobile as a paradoxical object, loved by some, hated by others. Production lines, operating systems, links with fossil fuels, myths, and the unconscious are all analyzed, deconstructed, and reassessed in works by more than fifty artists from different generations. Work by Ed Ruscha, Taryn Simon, and Blair Thurman is included.

Taryn Simon, Finance package for the construction of the Baku-Tbilisi-Ceyhan pipeline, Baku, Azerbaijan, February 3, 2004, from the series Paperwork and the Will of Capital, 2015 © Taryn Simon

Helen Marden, Flutter, 2023 © 2024 Helen Marden/Artists Rights Society (ARS), New York. Photo: Maris Hutchinson

Just Opened

Travel Diaries

Through October 2, 2024
Musée Mohammed VI d’art moderne et contemporain, Rabat, Morocco
www.museemohammed6.ma

Travel Diaries brings together work by four contemporary painters—Francesco ClementeBrice MardenHelen Marden, and Julian Schnabel—who were based in New York but extensively traveled the world. Curated by Vito Schnabel, the works in the exhibition highlight how these artists drew inspiration from their different destinations to create constantly evolving bodies of work. 

Helen Marden, Flutter, 2023 © 2024 Helen Marden/Artists Rights Society (ARS), New York. Photo: Maris Hutchinson

Katharina Grosse, Untitled, 2023 © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2024. Photo: Jens Ziehe

Just Opened

Katharina Grosse Studio Paintings, 1988–2022

Through September 22, 2024
Kunstmuseum Bonn, Germany
www.kunstmuseum-bonn.de

This exhibition explores Katharina Grosse’s studio-based paintings, from her earliest works in the 1990s to her most recent. The show highlights the role that thirty-seven paintings have played throughout her career in her experiments with the aesthetic potentials and physical and optical properties of color and paint. This exhibition originated at the Mildred Lane Kemper Art Museum, Washington University, St. Louis.

Katharina Grosse, Untitled, 2023 © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2024. Photo: Jens Ziehe

Installation view, Some Dogs Go to Dallas, Green Family Art Foundation, Dallas, February 10–May 12, 2024. Artwork, left to right: © Amoako Boafo, © Maggie Ellis. Photo: Evan Sheldon

On View

Some Dogs Go to Dallas

Through May 12, 2024
Green Family Art Foundation, Dallas
www.greenfamilyartfoundation.org

Some Dogs Go to Dallas presents a selection of works from the collection of Pamela and David Hornik. Ardent dog lovers, the Horniks have a penchant for acquiring pieces depicting canines across eras, locations, and techniques from throughout the art historical canon. The diversity of this collection underscores the universality of the human connection with animals and the profoundly enduring love that those bonds create. Work by Amoako Boafo and Andy Warhol is included.

Installation view, Some Dogs Go to Dallas, Green Family Art Foundation, Dallas, February 10–May 12, 2024. Artwork, left to right: © Amoako Boafo, © Maggie Ellis. Photo: Evan Sheldon

Lauren Halsey, Loda Land, 2020 © Lauren Halsey

On View

Multiplicity
Blackness in Contemporary American Collage

Through May 12, 2024
Museum of Fine Arts, Houston
www.mfah.org

Multiplicity presents over eighty major collage and collage-informed works by fifty-two living artists. The works reflect the breadth and complexity of Black identity, exploring diverse conceptual concerns such as cultural hybridity, notions of beauty, gender fluidity, and historical memory. From paper, photographs, fabric, and salvaged or repurposed materials, these artists create unified compositions that express the endless possibilities of Black-constructed narratives within our fragmented society. This exhibition originated at the Frist Art Museum, Nashville, Tennessee. Work by Derrick Adams, Lauren Halsey, and Rick Lowe is included.

Lauren Halsey, Loda Land, 2020 © Lauren Halsey

Installation view, Power Up: Imaginaires techniques et utopies sociales, Le Grand Café—Centre d’art contemporain, Saint-Nazaire, France, February 8–May 12, 2024. Artwork, left to right: © Mierle Laderman Ukeles, © Tatiana Trouvé, © Laura Lamiel. Photo: Marc Domage

On View

Tatiana Trouvé in
Power Up: Imaginaires techniques et utopies sociales

Through May 12, 2024
Le Grand Café—Centre d’art contemporain, Saint-Nazaire, France
www.grandcafe-saintnazaire.fr

This exhibition, whose subtitle translates to Technical Imaginaries and Social Utopias, considers energy infrastructures and their state of disrepair within the context of the global ecological crisis. Focusing on a female perspective, Power Up, which includes works by eighteen artists and architects, puts forward a new history of technology and suggests the need for a radical rethink in our approach to the world around us. Work by Tatiana Trouvé is included.

Installation view, Power Up: Imaginaires techniques et utopies sociales, Le Grand Café—Centre d’art contemporain, Saint-Nazaire, France, February 8–May 12, 2024. Artwork, left to right: © Mierle Laderman Ukeles, © Tatiana Trouvé, © Laura Lamiel. Photo: Marc Domage

Installation view, Jim Shaw: The Ties That Bind, Museum of Contemporary Art Antwerp, BelgiumFebruary 9–May 19, 2024. Artwork © Jim Shaw. Photo: Kristien Daem

On View

Jim Shaw
The Ties That Bind

Through May 19, 2024
Museum of Contemporary Art Antwerp, Belgium
www.muhka.be

The Ties That Bind explores Jim Shaw’s work from the last five decades, which has at once anticipated and mirrored shifts in the American cultural and political landscape during this period. In recent decades, the artist’s work has increasingly highlighted the growing tension between conservative and progressive ideologies. The exhibition presents drawings, paintings, photographs, and immersive installations that bring to light the core motifs of Shaw’s practice.

Installation view, Jim Shaw: The Ties That Bind, Museum of Contemporary Art Antwerp, Belgium
February 9–May 19, 2024. Artwork © Jim Shaw. Photo: Kristien Daem

Nathaniel Mary Quinn, Father Stretch My Hands, 2021 © Nathaniel Mary Quinn. Photo: Rob McKeever

On View

The Time Is Always Now
Artists Reframe the Black Figure

Through May 19, 2024
National Portrait Gallery, London
www.npg.org.uk

The Time Is Always Now showcases the work of contemporary artists from the African diaspora and highlights their use of figures to illuminate the richness and complexity of Black life. The exhibition examines both the presence and the absence of Black figures in Western art history and the social, psychological, and cultural contexts in which they were produced. Work by Titus Kaphar and Nathaniel Mary Quinn is included.

Nathaniel Mary Quinn, Father Stretch My Hands, 2021 © Nathaniel Mary Quinn. Photo: Rob McKeever

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